The Welfare State Depicted: Post-Utopian Landscapes in Ingmar Bergman's Films
Författare
Redaktör
- Maaret Koskinen
Summary, in English
This essay studies the depiction of landscape in Bergman's films in relation to traditional imagery in Swedish films. Bergman's landscapes are here regarded as an implicit criticism of the self-image of the Swedish model welfare state.
Avdelning/ar
Publiceringsår
2008
Språk
Engelska
Sidor
180-193
Publikation/Tidskrift/Serie
Ingmar Bergman revisited: Performance, Cinema and the Arts
Dokumenttyp
Del av eller Kapitel i bok
Förlag
Wallflower Press
Ämne
- Arts
Nyckelord
- landscape
- Bergman's films as other
- Swedish film
- welfare state
- Bergman
Status
Published
Projekt
- (Movies and Welfare Institutions in Sweden)
ISBN/ISSN/Övrigt
- ISBN: 978-1-905674-33-6