Publikationer
Making Movies in Europe: Production, Industry, Policy
Film International 48, no 6, 2010
Redaktör:
- Olof Hedling (Dr.)
- Mariah Larsson
Avdelning/ar:
Publiceringsår: 2010
Språk: Engelska
Sidor: 98
Publikation/Tidskrift/Serie: Film International
Volym: Volume 8 Number 6
Dokumenttyp: Bok
Förlag: Intellect, Bristol
Övrig information: Included articles:
Editorial Olof Hedling and Mariah Larsson
Working Title Films: From Mid-Atlantic to the Heart of Europe?
Tobias Hochscherf and James Leggott
Better Late than Never? The Role of Policy in the Turkish Cinematic Revival
Melis Behlil
Once Upon a Time in Italy: Transnational Features of Genre Production in the 1960s–1970s
Stefano Baschiera and Francesco Di Chiara
Practice Makes Perfect? The Production of the Swedish Sex Film in the 1970s
Mariah Larsson
Made in Flanders (Redux): Film Production, Government Funding and Television Participation in Flanders, Belgium
Leen Engelen and Roel Vande Winkel
City of Light, City of Shadows: The Difficult Takeoff of a Spanish Film Studio
Alejandro Pardo
A Film-friendly Town? Assessing a Decade at a Small Swedish Production
Centre
Olof Hedling
Sammanfattning
Film International (published by Intellect, Bristol, UK) is dedicating a special journal issue to “Making Movies in Europe: Production, Industry, Policy” and cordially invites proposals on this theme. Studies of contemporary as well as historical filmmaking practices are welcome. Possible areas include, but are not limited to:
- the specific workings of national cinema industries (e.g. specific national market conditions)
- historical production environments and specific productions
- support systems, tax incentives, and film funds
- regional film production
- runaway production in Europe, both European and American
- new production environments (for instance the production of pornography)
- non-mainstream production settings such as those in which short, experimental and/or avant-garde works are fashioned
- case studies of individual film productions
- labour conditions within the film sector in Europe
- transnational distribution patterns of European films
- film production and education in Europe
- the specific workings of national cinema industries (e.g. specific national market conditions)
- historical production environments and specific productions
- support systems, tax incentives, and film funds
- regional film production
- runaway production in Europe, both European and American
- new production environments (for instance the production of pornography)
- non-mainstream production settings such as those in which short, experimental and/or avant-garde works are fashioned
- case studies of individual film productions
- labour conditions within the film sector in Europe
- transnational distribution patterns of European films
- film production and education in Europe
Disputation
Nyckelord
- Cultural Sciences
- Performing Arts
- runaway productions
- regional film production
- film policy
- European film
- film production
- historical production environments
Övrigt
- Sparbanken Syd
Published
- Europeisk, skandinavisk och regional film och filmproduktion
- ISSN: 1651-6826
