The Negotiation of Collective Identities in German Cinema after Unification
Författare
Summary, in English
This article analyses the negotiation of German identities in two films of the ‘newer German cinema’: Sonnenallee/Sun Alley (Haussmann 1999) and Schultze gets the blues (Schorr 2003). It argues that the former represents a defiant stance towards a dominant West German narrative which devalorizes the lived experiences of former GDR citizens. As a consequence, east and west are consolidated as relevant categories of identification. In contrast, the article argues that Schultze gets the blues represents a post-national tendency in newer German cinema, which dissolves the east-west axis and instead foregrounds regional and post-national identities.
Avdelning/ar
Publiceringsår
2012
Språk
Engelska
Sidor
53-68
Publikation/Tidskrift/Serie
Studies in Eastern European Cinema
Volym
3
Issue
1
Länkar
Dokumenttyp
Artikel i tidskrift
Förlag
Routledge
Ämne
- History
Nyckelord
- nostalgia
- post-communism
- German film
- GDR
- unification
- post-national
Status
Published
ISBN/ISSN/Övrigt
- ISSN: 2040-350X