Hollywood unsuccessfully copying European Cinema: A comparative remake study of The Intouchables and The Upside
Författare
Summary, in English
This comparative study aims to analyze the ways Hollywood producers and filmmakers turn
European films into ones of their own and why they are often reflected upon as being worse
than its predecessors. The analysis primarily uses the French film The Intouchables (2011)
and its Hollywood remake, The Upside (2017) as a way to explore this. This study
furthermore investigates the reasons behind this trend and what reflections can be made to the
international film industry as a whole. Putting remakes as a concept in both a micro and
macro perspective for a more nuanced analysis.
European films into ones of their own and why they are often reflected upon as being worse
than its predecessors. The analysis primarily uses the French film The Intouchables (2011)
and its Hollywood remake, The Upside (2017) as a way to explore this. This study
furthermore investigates the reasons behind this trend and what reflections can be made to the
international film industry as a whole. Putting remakes as a concept in both a micro and
macro perspective for a more nuanced analysis.
Avdelning/ar
Publiceringsår
2026
Språk
Engelska
Fulltext
- Available as PDF - 539 kB
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Dokumenttyp
Examensarbete för kandidatexamen
Ämne
- Languages and Literatures
Nyckelord
- Remake
- adaptation
- Hollywood
- European Cinema
- class
- French Cinema
Handledare
- Lars Gustaf Andersson (Professor)