Becoming 'culturpreneur': How the 'neoliberal regime of truth' affects and redefines artistic subject positions
Författare
Summary, in English
In relating to the politico-economic concept of creative industries', the paper explores in what way the art field and its actors are discursively repositioned within flexible cultural capitalism'. Through empirical material from the independent Austrian theatre scene, the paper, moreover, illustrates how the culturpreneurial' transformation of the field affects the specific artistic practices, forms of organizing and conduct. In this regard, it will be shown that the artists' modes of conduct are, at least to some extent, precarious: due to their ascetic and disciplined self-concept, artists seem to contribute, in parts, to their own marginalization as well as to the strengthening of certain neoliberal orders' and culturpreneurial subject ideals' of flexible capitalism even though they are actually keen to resist current governmental technologies like the promotion of competition and market-determined assessment.
Avdelning/ar
Publiceringsår
2013
Språk
Engelska
Sidor
124-145
Publikation/Tidskrift/Serie
Culture and Organization
Volym
19
Issue
2
Dokumenttyp
Artikel i tidskrift
Förlag
Routledge
Ämne
- Business Administration
Nyckelord
- artistic self-concepts
- creative industries
- governmentality
- neoliberal
- subject ideals
- precarization
- theatre scene
Status
Published
ISBN/ISSN/Övrigt
- ISSN: 1477-2760