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Parsifal in exile: Wagner's 'Bühnenweihfestspiel' as it was patronized and perfomed in exile, 1933-1945

Redaktör:
  • Andrew Chandler (Dr)
  • Katarzyna Stoklosa (Dr)
  • Jutta Vinzent (Dr)
Publiceringsår: 2006
Språk: Engelska
Publikation/Tidskrift/Serie: Exile and Patronage. Cross-cultural negotiations beyond the Third Reich (Mittel- und Ostmitteleuorpastudien Band 3)
Dokumenttyp: Del av eller Kapitel i bok
Förlag: LIT Verlag

Sammanfattning

I understand patronage principally as a work of cultural and material support - the support shich was necessary to stage the performance of a piece of music in mayn different contexts. I focus on the fate of an opera, Richard Wagner's Parsifal, a work which was not performed at the Bayreuth festival between 1939 and 1944 because of its emphasis on reconciliation, non-violence and faith, but which continued to live in exile, performed by many Jewish and non-Jewish refugees. Outsider Germany Parsifal was offered to audiences in the United States, Argentina and Sweden, as an alternative to National Socialist German culture.

Disputation

Nyckelord

  • Arts and Architecture
  • History and Archaeology
  • Bayreuth
  • National Socialism
  • exile
  • Parsifal
  • Wagner

Övriga

Published
  • ISBN: 3-8258-0014-8

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