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Why Sarus Cranes epitomize Karunarasa in the Ramayana

In English

Författare

  • Niels Hammer

Summary, in English

By correlating literary evidence, avian ethology and neurophysiology I will try to demonstrate why Valmiki chose a pair of Sarus Cranes, and not any other avian species, to epitomise grief and sorrow in the Ramayana. This choice illustrates the importance of personal experience of the living reality (behaviour of Sarus Cranes); but the grief, soka, as experienced by Valmiki, became in later critical literature, the rasa of karuna, the aesthetic appreciation of grief, as suggested by Anandavardhana and explained by Abhinavagupta. By emphasising the central importance of affective states (sthayibhavas) in life as well as in the arts (rasas) Valmiki, Abhinavagupta and Anandavardhana appear to have had a perception of the human condition that is consistent with recent developments in affective neuroscience; and thus it is the pitch and the tonal quality of the cries of grief that convey the depth and universality (sadharanatva) of the emotion.

Publiceringsår

2009

Språk

Engelska

Sidor

187-211

Publikation/Tidskrift/Serie

Journal of the Royal Asiatic Society

Volym

19

Dokumenttyp

Artikel i tidskrift

Förlag

Cambridge University Press

Ämne

  • History of Religions

Status

Published

ISBN/ISSN/Övrigt

  • ISSN: 1474-0591